“Bosch” Full of Tired Cliches: A Disappointing Adaptation of Michael Connelly's Novels

The Bosch cachet persists despite two nettlesome problems in getting to know and understand him. One, especially for an American, is the difficulty of getting to see him. Of the dozen or so paintings attributed to Bosch in American collections, only Death of the Miser in the National Gallery of Art in Washington can probably be counted as a work of first rank. There has never been a full exhibition of Bosch in the United States. The works of Bosch, in fact, have not been gathered together since his native city of 's-Hertogenbosch, which possesses no Bosch paintings of its own, celebrated his genius with a grand exhibition in 1967. The heart of his work is in the Prado in Madrid. Yet many critics believe that Bosch's greatest work is the Saint Anthony Triptych, which hangs in one of the less-visited museums of the world, the Museu Nacional de Arte Antiga in Lisbon. There are masterpieces as well in the Louvre in Paris, the gallery of the Akademie der Bildenden Künste in Vienna, the Museum Boymans-Van Beuningen in Rotterdam and other European museums. It's not easy to gather up Bosch in one swoop.

“Bosch” Full of Tired Cliches

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